Gallery

Impressionism Period

The decade of the 1970s

Longwarf, 1971, by James A. Richter

Longwarf, 1971

Acrylic on canvas, 31 × 26 inches. Signed and dated. Framed by the artist.

Townscape, 1971, by James A. Richter

Townscape, 1971

Acrylic on masonite, 24 × 18.5 inches. Not signed. Framed by the artist.

Painted for the artist’s grandnephew.

Study in Blue, 1972, by James A. Richter

Study in Blue, 1972

Acrylic on canvas, 26 × 21 inches. Signed. Framed by the artist.

Sedona, 1972, by James A. Richter

Sedona, 1972

Acrylic on canvas, 21 × 17.5 inches. Signed. Framed by the artist.

For Jonathan, 1972, by James A. Richter

For Jonathan, 1972

Acrylic on masonite, 12.5 × 9.5 inches. Not signed. Framed by the artist.

Painted for the artist’s grandnephew after a woodblock the latter made in art class.

Palermo, 1973, by James A. Richter

Palermo, 1973

Acrylic on canvas, 31.5 × 26.5 inches. Signed. Framed by the artist.

Color Studies, 1974, by James A. Richter

Color Studies, 1974

Acrylic on paper, 31 × 38 inches. Signed. Framed by the artist.

The Solution, 1974, by James A. Richter

The Solution, 1974

Paper collage, 11 × 16 inches unframed. Not signed. Framed by the artist.

Created in honor of the artist’s brother-in-law.

Downtown, 1974, by James A. Richter

Downtown, 1974

Acrylic on paper, 12 × 14 inches unframed. Initialled. Framed by the James A. Richter Art Foundation.

City Buildings, 1975, by James A. Richter

City Buildings, 1975

Acrylic on canvas, 38 × 31 inches. Signed. Framed by the artist.

Winner of the Doris Kreindler memorial prize.

Untitled, 1975, by James A. Richter

Untitled, 1975

Acrylic on paper, 31.5 × 26 inches unframed. Initialled. Reframed by the James A. Richter Art Foundation.

Kyoto, 1976, by James A. Richter

Kyoto, 1976

Acrylic on paper, 10 × 7 inches unframed. Signed with Richter’s Asian monogram. Framed by the James A. Richter Art Foundation.

The Market, 1977, by James A. Richter

The Market, 1977

Acrylic on paper, 32 × 22 inches. Signed. Framed by the artist.

Untitled, 1977, by James A. Richter

Untitled, 1977

Acrylic on masonite, 16 × 13 inches. Not signed. Framed by the artist.

Untitled, 1978, by James A. Richter

Untitled, 1978

Acrylic on canvas, 27 × 22.5 inches. Signed. Framed by the artist.

Beginning of Richter’s impressionism period.

Old Westbury, 1978, by James A. Richter

Old Westbury, 1978

Acrylic on canvas, 28.5 × 24.5 inches. Signed. Framed by the artist.

Commissioned for the artist’s extended family.

Catania, 1978, by James A. Richter

Catania, 1978

Acrylic on canvas, 38.5 × 33 inches. Signed. Framed by the artist.

James Richter’s largest known work.

Truffle, 1979, by James A. Richter

Truffle, 1979

Acrylic on canvas, 5 × 4 inches. Signed. Framed by the artist.

A miniature commissioned by his sister. Not knowing what truffles looked like, Richter painted a mushroom instead.

Aetna, 1979, by James A. Richter

Aetna, 1979

Acrylic on canvas. Not signed. Framed by the artist.

Painted on one of the artist’s trips to Sicily.

Aetna, 1979, by James A. Richter

Aetna, 1979

Acrylic on canvas, 35 × 29 inches. Signed. Framed by the artist.

Painted on one of the artist’s trips to Sicily.